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heavens carpet commercial in SUNOL.Even without lyrics i could tell they were amazing songs and said that we should start writing together.
The album itself was written in about a week in august of 2004.
With lyrics as pretty as they are eerie, skiba brings us images of an almost comforting brutality, a warm razorblade embrace filled with blood dropping from the sky and arterial sprays painting the carpets.
Steinbrick offers up layer upon layer of instrumentation, which we can imagine starting out as single notes on the guitar, that build and swell and change when you least expect them to.
Distilled to their separate parts, the songs seem to have emerged fully formed from two complimentary imaginations.
There is real vitality amidst the images of death and decay.
Once the bedroom demo skeleton of all the songs was finished, the two enlisted producer and friend ben lovett to start adding flesh to the bones.
Over the next 3 months patent pending was brought to life at his sunny heights studio in los angeles, with josiah directing the instrumentation, skiba providing the melodies and lovett orchestrating the chaos.
Finally the finished monster was placed in the hands of engineering guru ryan hewitt for mixing.
I played this stuff for him and he said this record is fucking brilliant, every single song is killer.
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